Showing posts with label Variation of Traditional Fairytale. Show all posts
Showing posts with label Variation of Traditional Fairytale. Show all posts

Monday, November 9, 2009

The Korean Cinderella


by Shirley Climo

illustrated by Ruth Heller

Summary

An old man and his wife longed for a child, and they were finally blessed with a daughter. In celebration they planted a pear tree and named their daughter Pear Blossom. The tree and the child both grew while their mother took care of them, but then the mother died. The old man went to the village matchmaker, who matched him with a widow who had a daughter Peony, the same age as Pear Blossom. The widow was very mean to Pear Blossom, as was Peony, and they called her Pigling. Pear Blossom “cooked and cleaned until midnight, with only the crickets for company.” Because of Pear Blossom’s wish for help, animals began to help her with her tasks, impossible as they seemed. On the day of the festival, Omoni, the stepmother, told Pear Blossom she could attend after she weeded the fields of rice paddies. This would have been impossible, but a great ox came and weeded all of the fields. She hurried to the festival, but when she got there her shoes were filled with stones; “she had just slipped off one straw sandal to shake out a stone when she heard a shout.” A young nobleman was coming, so she hobbled out of the way, but her sandal splashed into the water and out of her reach. She ran, and upon seeing her leave, the magistrate took her sandal and ordered he return to the village. At the festival the magistrate demanded the girl with one shoe, and said that she must be his bride. Their wedding was arranged for the spring while the pear trees blossomed.


Discussion

This version of Cinderella is a combination of three versions of the story commonly told in Korea. The illustrations in this version are very bright and colorful, with solid colors and beautiful Korean designs throughout the book. The book has Korean words, such as Hai and Omoni, throughout the book, helping Korean children connect even further to the story in a way that other children cannot. Since this book was written and illustrated by the same people as the Egyptian Cinderella, the stories flow similarly. The Korean Cinderella, however, deviates even more from the traditional story than the Egyptian Cinderella story did, which surprised me. I believe, however, that it was more true to the cultural and historical basis in Korea than the European fables that I have seen as “the norm” for my entire life.

Sunday, November 8, 2009

The Egyptian Cinderella


by Shirley Climo
illustrated by Ruth Heller

Summary
In this Egyptian version of Cinderella, a young girl named Rhodopis was stolen from her home in Greece by pirates and sold as a slave in Egypt. Because she was Greek, she looked different than the other Egyptian servants girls, as she had copper hair and pale skin. Her master was very kind, but because he was old he never saw the other servant girls ordering Rhodopis around. Because the servants were mean to her, Rhodopis made friends with the animals, sometimes dancing for them. One day her master awoke while she was dancing, and proclaimed that "No goddess is more nimble...You shall go barefoot no longer." The other servants were very jealous of Rhodopis, and when an opportunity arose to attend court for the Pharoah, Rhodopis had to stay behind to weed the garden and wash the linens. The next morning Rhodopis followed the other servant girls to the riverbank with the hopes they would change their mind, but they "poled their raft around the bend in the river without giving Rhodopis a backward glance." Rhodopis was getting ready to go back, when a great falcon, "the symbol of the god Horus," came. Rhodopis bowed to him, and he flew off, but he had one of her slippers in his talons. She bid him stop, but he "flew towards the sun untiul he was no more than a dark speck against the gold." Rhodopis sighed and went back to doing her chores. The falcon flew along the Nile and arrived at the Pharaoh's party, where it dropped the slipper into the Pharaoh's lap. The Pharaoh saw this as a sign from the gods that whoever's foot fit the slipper should be the queen, because it "is the will of the gods." He traveled the land, but no one's foot fit into the rosy red slipper. He came to the riverbank near Rhodopis and the other servants, and she was last to try on the shoes. When the slipper he offered fit perfectly, she pulled its mate from among the folds of her tunic.

Discussion
The last passage in this book details the history of this version of Cinderella, which is known as one of the oldest Cinderella stories, first recorded by Strabo in first century BC. The story is a mixture of fact and fiction as well, as there was a Greek slave girl named Rhodopis that married the Pharaoh Amasis and was his queen from 570-526 BC. The book is in full bleed style, and the illustrations are gorgeous. This spin to the classical tale of Cinderella would be a great addition in a classroom, as it varies from the original so greatly but maintains the basic story parts that make Cinderella so unique. This version especially shows the differences between Rhodopis and the other servants, as she has a different ethnic background and that is what sets her apart, instead of a mean stepfamily. The book shows that even if someone is different, they can be beautiful, and they have something to offer a nation. At the end of the story, the other servants exclaim to the Pharaoh that Rhodopis isn't even Egyptian, but he says that she is the most Egyptian of them all. This book would be great to use during a study of ancient Egyptian history or customs, as well as a way to open the classroom to talk about diversity and racial differences.

Climo, S. (1991). The Egyptian Cinderella. New York: HarperTrophy. (Original work published 1989)